A
MAZE
IN
ZAZAZA ENTER ZAZAZA
ZAZAZAZAZAZAZAAZAZAZAZAZAZAZ
ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ
THE
MAGICALALPHABET
ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA
12345678910111213141516171819202122232425262625242322212019181716151413121110987654321
WORK DAYS OF GOD
Herbert W Morris D.D.circa 1883
Page 22
"As all the words in the English language are composed out of the twenty-six letters of the alphabet,.."
LIGHT AND LIFE
Lars Olof Bjorn 1976
Page 197
"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
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"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
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A
HISTORY OF GOD
Karen Armstrong
The God of the Mystics
Page 250
"(The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."
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THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY
THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE
AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED
THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF
THE
ALPHABET
IS
GIVEN
A
NUMERICAL
VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS
REARRANGING THEM IN ENDLESS CONFIGURATIONS
THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
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FINGERPRINTS OF THE GODS
A QUEST FOR THE BEGINNING AND THE END
Graham Hancock 1995
Chapter 32
Speaking to the Unborn
Page 285
"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 /
universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?
A message in the bottle of time"
'Of all the other stupendous inventions,' Galileo once remarked,
what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3
If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as
we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320 or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."
"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"
"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"
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ADVENT 607 ADVENT
THE
FAR YONDER SCRIBE
AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN SOME AMAZE
THE
ZED ALIZ ZED
IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS
AT THE THROW OF THE NINTH RAM WHEN IN CONJUNCTION SET
THE
FAR YONDER SCRIBE
MADE RECORD OF THE FALL
NUMBER
9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Cycles and Patterns
Page 165
Patterns
The essence of mathematics is to look for patterns.
Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.
These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!
Searching out patterns is a pure delight.
Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.
And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves.
NUMBER
9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Page 32
5
To Sorcerers and Magicians number FIVE is the most powerful - five is the mark of the pentacle, a five pointed star drawn by extending the sides of a Pentagon. Five surely is in the possession of the occult. And the Pentagon is the geometric figure in which the golden ratio of classical art and architecture is found most.
THE
BALANCING
ONE TWO THREE FOUR
FIVE
NINE EIGHT SEVEN SIX
O |
= |
15 |
- |
3 |
ONE |
34 |
16 |
7 |
- |
1 |
T |
= |
20 |
- |
3 |
TWO |
58 |
13 |
4 |
- |
2 |
T |
= |
20 |
- |
5 |
THREE |
56 |
29 |
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- |
3 |
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= |
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- |
4 |
FOUR |
60 |
24 |
6 |
- |
4 |
- |
- |
61 |
- |
15 |
Add |
208 |
82 |
19 |
- |
10 |
- |
- |
6+1 |
- |
1+5 |
Reduce |
2+0+8 |
8+2 |
1+9 |
- |
1+0 |
- |
- |
7 |
- |
6 |
Reduce |
10 |
10 |
10 |
- |
1 |
- |
- |
- |
- |
- |
Deduce |
1+0 |
1+0 |
1+0 |
- |
- |
- |
- |
7 |
- |
6 |
Essence |
1 |
1 |
1 |
- |
1 |
N |
= |
14 |
- |
4 |
NINE |
42 |
24 |
6 |
- |
9 |
E |
= |
5 |
- |
5 |
EIGHT |
49 |
31 |
4 |
- |
8 |
S |
= |
19 |
- |
5 |
SEVEN |
65 |
20 |
2 |
- |
7 |
S |
= |
19 |
- |
3 |
SIX |
52 |
16 |
7 |
- |
6 |
- |
- |
57 |
- |
17 |
Add |
208 |
91 |
19 |
- |
30 |
- |
- |
5+7 |
- |
1+7 |
Reduce |
2+0+8 |
9+1 |
1+9 |
- |
3+0 |
- |
- |
12 |
- |
8 |
Reduce |
10 |
10 |
10 |
- |
3 |
- |
- |
1+2 |
- |
- |
Deduce |
1+0 |
1+0 |
1+0 |
- |
- |
- |
- |
3 |
- |
8 |
Essence |
1 |
1 |
1 |
- |
3 |
1 2 3 4 5 6 7 8 9
9 8 7 6 5 4 3 2 1
15 |
ONE TWO THREE FOUR |
208 |
82 |
1 |
4 |
FIVE |
42 |
24 |
6 |
17 |
NINE EIGHT SEVEN SIX |
208 |
91 |
1 |
3 |
ONE |
34 |
16 |
7 |
- |
3 |
SIX |
52 |
16 |
7 |
3 |
TWO |
58 |
13 |
4 |
- |
5 |
SEVEN |
65 |
20 |
2 |
5 |
THREE |
56 |
29 |
2 |
- |
5 |
EIGHT |
49 |
31 |
4 |
4 |
FOUR |
60 |
24 |
6 |
- |
4 |
NINE |
42 |
24 |
6 |
15 |
Add |
208 |
82 |
19 |
- |
17 |
Add |
208 |
91 |
19 |
1+5 |
Reduce |
2+0+8 |
8+2 |
1+9 |
- |
1+7 |
Reduce |
2+0+8 |
9+1 |
1+9 |
6 |
Reduce |
10 |
10 |
10 |
- |
8 |
Reduce |
10 |
10 |
10 |
- |
Deduce |
1+0 |
1+0 |
1+0 |
- |
- |
Deduce |
1+0 |
1+0 |
1+0 |
6 |
Essence |
1 |
1 |
1 |
- |
8 |
Essence |
1 |
1 |
1 |
1 |
3 |
ONE |
34 |
16 |
7 |
2 |
3 |
TWO |
58 |
13 |
4 |
3 |
5 |
THREE |
56 |
29 |
2 |
4 |
4 |
FOUR |
60 |
24 |
6 |
5 |
4 |
FIVE |
42 |
24 |
6 |
6 |
3 |
SIX |
52 |
16 |
7 |
7 |
5 |
SEVEN |
65 |
20 |
2 |
8 |
5 |
EIGHT |
49 |
31 |
4 |
9 |
4 |
NINE |
42 |
24 |
6 |
45 |
36 |
Add |
458 |
197 |
44 |
4+5 |
3+6 |
Reduce |
4+5+8 |
1+9+7 |
4+4 |
9 |
9 |
Reduce |
17 |
17 |
8 |
- |
- |
Deduce |
1+7 |
1+7 |
- |
9 |
9 |
Essence |
8 |
8 |
8 |
1 |
6 |
ONE |
34 |
16 |
7 |
2 |
2 |
TWO |
58 |
13 |
4 |
3 |
2 |
THREE |
56 |
29 |
2 |
4 |
6 |
FOUR |
60 |
24 |
6 |
5 |
6 |
FIVE |
42 |
24 |
6 |
6 |
1 |
SIX |
52 |
16 |
7 |
7 |
1 |
SEVEN |
65 |
20 |
2 |
8 |
5 |
EIGHT |
49 |
31 |
4 |
9 |
5 |
NINE |
42 |
24 |
6 |
45 |
34 |
Add |
458 |
197 |
44 |
4+5 |
3+4 |
Reduce |
4+5+8 |
1+9+7 |
4+4 |
9 |
7 |
Reduce |
17 |
17 |
8 |
- |
- |
Deduce |
1+7 |
1+7 |
- |
9 |
7 |
Essence |
8 |
8 |
8 |
0 |
8 |
ZERO |
64 |
28 |
1 |
1 |
6 |
ONE |
34 |
16 |
7 |
2 |
2 |
TWO |
58 |
13 |
4 |
3 |
2 |
THREE |
56 |
29 |
2 |
4 |
6 |
FOUR |
60 |
24 |
6 |
5 |
6 |
FIVE |
42 |
24 |
6 |
6 |
1 |
SIX |
52 |
16 |
7 |
7 |
1 |
SEVEN |
65 |
20 |
2 |
8 |
5 |
EIGHT |
49 |
31 |
4 |
9 |
5 |
NINE |
42 |
24 |
6 |
45 |
42 |
Add |
522 |
225 |
45 |
4+5 |
4+2 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
9 |
6 |
Deduce |
9 |
9 |
9 |
-
....
-
1ONE18EIGHT88EIGHT88EIGHT88EIGHT88EIGHT88EIGHT88EIGHT88EIGHT83THREE33THREE33THREE36SIX66SIX66SIX6SIX66SIX66SIX6
WORDS OF POWER
AMEN ALL MEN ALL MEN AMEN
AMEN ALL WOMEN ALL WOMEN AMEN
NAME AMEN NAME AMEN NAME AMEN NAME.
973AZAZAZAZAZAZAZAZAZZAZAZAZAZAZAZAZAZA .
QUO VADIS
Quo vadis - Wikipedia, the free encyclopedia Quo vadis? is a Latin phrase meaning "Where are you going?" or "Whither goest thou?". The modern usage of the phrase refers to a legend in Christian ... en.wikipedia.org/wiki/Quo_vadis
Quo vadis? is a Latin phrase meaning "Where are you going?" or "Whither goest thou?". The modern usage of the phrase refers to a legend in Christian tradition, related in the apocryphal Acts of Peter (Vercelli Acts XXXV), in which Saint Peter meets Jesus as Peter is fleeing from likely crucifixion in Rome. Peter asks Jesus the question; Jesus' answer, "I am going to Rome to be crucified again" (Eo Romam iterum crucifigi), prompts Peter to gain the courage to continue his ministry and eventually become a martyr.
The phrase also occurs a few times in the Vulgate translation of the Bible, notably including the occurrence in John 13:36 in which Peter also asks the question of Jesus, after the latter announces he is going to where his followers cannot come.
7 |
WHITHER |
91 |
46 |
|
5 |
GOEST |
66 |
21 |
|
4 |
THOU |
64 |
19 |
|
16 |
- |
221 |
86 |
5 |
1+6 |
- |
2+2+1 |
8+6 |
- |
7 |
- |
5 |
14 |
5 |
- |
- |
- |
1+4 |
- |
7 |
- |
5 |
5 |
5 |
Quo Vadis. I fled by night and in the grey of dawn met on the lonely way a man I knew but could not name. He said “Good morning”, I the same ...
rtnl.org.uk/now_and_then/html/242.html
Quo Vadis
I fled by night and in the grey
of dawn met on the lonely way
a man I knew but could not name.
He said “Good morning”, I the same
and asked if he was going far.
He said “As far as Golgotha.”
And then I knew and the cock crew.
Quo vadis is a Latin phrase meaning "Where are you going?"
It is used as a proverbial phrase from the Bible (John 13:36, 16:5)....
en.wikipedia.org/wiki/Quo_Vadis -
A
MYSTERIOUS
VOICE IN THE NIGHT
LOVE EVOLVE EVOLVE LOVE
ISISIS
THE
PATH OF PTAH
GODS DIVINE THOUGHT DIVINEGODS
ISISIS
ISISIS DIVINE LOVE GODS LOVE DIVINE ISISIS
REAL REALITY REVEALED REVEALED REAL REALITY
B |
= |
2 |
- |
4 |
BODY |
46 |
19 |
1 |
S |
= |
1 |
- |
4 |
SOUL |
67 |
13 |
4 |
M |
= |
4 |
- |
4 |
MIND |
40 |
22 |
4 |
- |
- |
7 |
|
12 |
Add to Reduce |
|
|
|
- |
- |
- |
- |
1+2 |
Reduce to Deduce |
1+5+3 |
5+4 |
- |
- |
- |
7 |
- |
|
Essence of Number |
|
|
|
AMEN ALL MEN AMEN ALL WOMEN AMEN
NAME AMEN MANE MEAN
NAME AMEN NAME AMEN NAME
AMEN MEAN NAME MANE
AMEN THE NAME THE NAME AMEN
973AZAZAZAZAZAZAZAZAZZAZAZAZAZAZAZAZAZA973
GODS SPIRIT GODS
ISIS OSIRIS VISHNU SHIVA SHRI KRISHNA SHRISTI RISHI ISHI CHRIST
SING A SONG OF NINES OF NINES A SONG SING
4 |
GODS |
45 |
18 |
9 |
6 |
SPIRIT |
91 |
37 |
1 |
4 |
ISIS |
89 |
35 |
8 |
6 |
OSIRIS |
89 |
35 |
8 |
4 |
IRIS |
55 |
28 |
1 |
6 |
VISHNU |
93 |
30 |
3 |
5 |
SHIVA |
59 |
59 |
4 |
7 |
KRISHNA |
80 |
35 |
3 |
7 |
SHRISTI |
102 |
39 |
3 |
5 |
RISHI |
63 |
36 |
9 |
4 |
ISHI |
45 |
27 |
9 |
6 |
CHRIST |
77 |
32 |
5 |
HOLY BIBLE
Scofield References
Page 1145
John 21:11
Simon Peter went up, and drew the net to land, full of great fishes,
an
hundred and fifty and three:
and for all there were so many, yet was not the net broken
SIMON PETER WENT UP AND DREW THE NET TO LAND FULL OF GREAT FISHES
AN
HUNDRED AND FIFTY AND THREE
|
|
- |
|
- |
|
|
|
- |
|
|
|
|
3 |
|
54 |
9 |
|
|
|
|
|
5 |
|
52 |
25 |
|
|
|
4 |
|
4 |
|
57 |
21 |
|
|
|
|
|
|
SUN EARTH MOON |
|
|
|
|
|
1+0 |
|
1+2 |
|
1+6+3 |
5+5 |
1+9 |
|
|
|
|
|
SUN EARTH MOON |
|
|
|
|
|
|
|
|
|
1+0 |
1+0 |
1+0 |
|
|
|
|
|
SUN EARTH MOON |
|
|
|
|
|
- |
|
- |
|
|
|
- |
|
|
|
|
3 |
|
54 |
9 |
|
|
|
|
|
5 |
|
52 |
25 |
|
|
|
4 |
|
4 |
|
57 |
21 |
|
|
|
|
|
|
SUN EARTH MOON |
|
|
|
|
|
1+0 |
|
1+2 |
|
1+6+3 |
5+5 |
1+9 |
|
|
|
|
|
SUN EARTH MOON |
|
|
|
|
|
|
|
|
|
1+0 |
1+0 |
1+0 |
|
|
|
|
|
SUN EARTH MOON |
|
|
|
|
|
|
3 |
THE |
33 |
15 |
|
|
|
|
4 |
HOLY |
60 |
24 |
|
|
|
|
5 |
PEACE |
30 |
21 |
|
|
|
|
4 |
MAKE |
30 |
12 |
|
|
|
|
16 |
Add to Reduce |
|
|
|
|
|
2+1 |
1+6 |
Reduce to Deduce |
1+5+3 |
7+2 |
1+8 |
|
|
|
|
Essence of Number |
|
|
|
7 |
PERFECT |
73 |
37 |
1 |
2 |
IN |
23 |
14 |
5 |
5 |
PEACE |
30 |
21 |
3 |
2 |
IN |
23 |
14 |
5 |
5 |
PEACE |
30 |
21 |
3 |
7 |
PERFECT |
73 |
37 |
1 |
R |
|
9 |
|
3 |
RAW |
42 |
15 |
6 |
W |
|
5 |
|
3 |
WAR |
42 |
15 |
6 |
G |
|
7 |
|
4 |
GORY |
65 |
29 |
2 |
G |
= |
7 |
- |
5 |
GLORY |
77 |
32 |
5 |
|
|
28 |
|
15 |
First Total |
|
|
|
|
|
2+8 |
|
1+5 |
Add to Reduce |
2+2+6 |
9+1 |
1+9 |
|
|
10 |
|
|
Second Total |
10 |
10 |
10 |
|
|
1+0 |
|
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
|
|
1 |
|
|
Essence of Number |
1 |
1 |
1 |
S |
|
1 |
|
3 |
SEE |
29 |
11 |
2 |
S |
|
1 |
|
3 |
SEE |
29 |
11 |
2 |
W |
|
5 |
|
5 |
WHERE |
59 |
32 |
5 |
C |
= |
3 |
- |
7 |
CHRISTS |
96 |
33 |
6 |
B |
= |
2 |
- |
5 |
BLOUD |
54 |
18 |
9 |
S |
= |
1 |
- |
8 |
STREAMES |
100 |
28 |
1 |
I |
= |
9 |
|
2 |
IN |
23 |
14 |
5 |
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
F |
= |
6 |
|
9 |
FIRMAMENT |
99 |
45 |
9 |
|
|
33 |
|
45 |
|
|
|
|
|
|
3+3 |
|
4+5 |
|
5+2+2 |
2+0+7 |
4+5 |
|
|
6 |
|
|
|
|
|
|
B |
|
2 |
|
8 |
BREAKING |
67 |
40 |
4 |
T |
|
2 |
|
7 |
THROUGH |
97 |
43 |
7 |
T |
|
2 |
|
3 |
THE |
33 |
15 |
6 |
V |
= |
4 |
- |
4 |
VEIL |
48 |
21 |
3 |
|
|
10 |
|
22 |
First Total |
|
|
|
|
|
1+0 |
|
2+2 |
Add to Reduce |
2+4+5 |
1+1+9 |
2+0 |
|
|
1 |
|
|
Second Total |
11 |
11 |
2 |
|
|
|
|
|
Reduce to Deduce |
1+1 |
1+1 |
|
|
|
1 |
|
|
Essence of Number |
2 |
2 |
|
V |
= |
4 |
- |
4 |
VEIL |
48 |
21 |
3 |
|
|
|
|
|
|
|
|
|
L |
= |
3 |
- |
4 |
LIVE |
48 |
21 |
3 |
|
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
4 |
EVIL |
48 |
21 |
3 |
|
|
|
|
|
|
|
|
|
V |
= |
4 |
- |
4 |
VILE |
48 |
21 |
3 |
|
|
|
|
|
|
|
|
|
L |
= |
3 |
- |
4 |
LEVI |
48 |
21 |
3 |
B |
|
2 |
|
6 |
BEYOND |
65 |
29 |
2 |
T |
|
2 |
|
3 |
THE |
33 |
15 |
6 |
V |
= |
4 |
- |
4 |
VEIL |
48 |
21 |
3 |
A |
|
1 |
|
7 |
ANOTHER |
81 |
36 |
9 |
V |
= |
4 |
- |
4 |
VEIL |
48 |
21 |
3 |
A |
|
1 |
|
7 |
ANOTHER |
81 |
36 |
9 |
V |
= |
4 |
- |
4 |
VEIL |
48 |
21 |
3 |
B |
|
2 |
|
6 |
BEYOND |
65 |
29 |
2 |
|
|
20 |
|
41 |
First Total |
|
|
|
|
|
2+0 |
|
4+1 |
Add to Reduce |
4+6+9 |
2+0+8 |
3+7 |
|
|
2 |
|
|
Second Total |
19 |
10 |
10 |
|
|
|
|
|
Reduce to Deduce |
1+9 |
1+0 |
1+0 |
|
|
2 |
|
|
ThirdTotal |
10 |
1 |
1 |
|
|
|
|
|
Reduce to Deduce |
1+0 |
1+1 |
|
|
|
2 |
|
|
Essence of Number |
1 |
1 |
|
When I Consider How My Light is Spent - Wikipedia
https://en.wikipedia.org/wiki/When_I_Consider_How_My_Light_is_Spent
When I Consider How My Light Is Spent by John Milton - Poems ...
www.poets.org/poetsorg/poem/when-i-consider-how-my-light-spent
Composed sometime between 1652 and 1655, John Milton's “Sonnet 19 [When I consider how my light is spent]" grapples with the subject of the poet's blindness later in life, as well as his changing relationship with God.
When I Consider How My Light Is Spent is one of the best known of the sonnets of John Milton (d. 1674). The last three lines (concluding with "They also serve who only stand and wait.") are particularly well known, though rarely quoted in context.
The sonnet was first published in Milton's 1673 Poems. In his autograph notebook (known as the "Trinity Manuscript" from its location in the Wren Library of Trinity College, Cambridge), Milton gave the sonnet the number 19, but in the published book it was numbered 16 (see Kelley, 1956;[1] Revard, 2009,[2] p. 569), so both numbers are in use for it. It is popularly given the title On His Blindness, but there is no evidence that Milton used this title; it was assigned a century later by Thomas Newton in his 1761 edition of Milton's poetry,[3] as was commonly done at the time by editors of posthumous collections (Ferry, 1996, p. 18[4]).
WHEN I CONSIDER HOW MY LIGHT IS SPENT
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
83 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
O |
= |
|
|
2 |
|
29 |
11 |
|
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
|
|
HIS |
36 |
18 |
|
|
|
|
|
|
|
|
|
|
|
B |
= |
2 |
|
|
BLINDNESS |
98 |
35 |
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
|
14 |
- |
163 |
64 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
4 |
|
50 |
23 |
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
2 |
|
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
3 |
|
CONSIDER |
87 |
42 |
|
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
4 |
3 |
|
46 |
19 |
|
|
|
|
|
|
|
|
|
|
|
M |
= |
|
5 |
|
MY |
38 |
11 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
5 |
|
56 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
2 |
|
28 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
5 |
|
74 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
30 |
First Total |
388 |
163 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
4+2 |
|
3+0 |
Add to Reduce |
3+8+8 |
1+6+3 |
2+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
19 |
10 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+9 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
Third Total |
10 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Add to Reduce |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
Essence of Number |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
THEY ALSO SERVE WHO ONLY STAND AND WAIT
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
= |
|
1 |
4 |
|
58 |
13 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
2 |
|
OF |
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
3 |
|
WONDER |
79 |
34 |
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
|
12 |
- |
158 |
59 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
= |
|
4 |
4 |
|
58 |
13 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
5 |
|
OF |
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
6 |
|
LIGHT |
56 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
|
11 |
- |
135 |
54 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
= |
|
7 |
4 |
|
58 |
13 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
8 |
|
OF |
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
R |
= |
9 |
9 |
|
ROYAL |
71 |
26 |
|
|
|
|
|
|
|
|
|
|
|
B |
= |
2 |
10 |
6 |
|
74 |
20 |
|
|
|
|
|
|
|
|
|
|
|
B |
= |
|
11 |
|
BRIGHT |
64 |
37 |
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
|
23 |
- |
288 |
108 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
46 |
First Total |
581 |
221 |
41 |
|
|
|
|
12 |
|
|
|
|
|
|
|
4+2 |
|
4+6 |
Add to Reduce |
5+8+1 |
2+2+1 |
4+1 |
|
|
|
|
1+2 |
|
|
|
|
|
|
|
|
|
10 |
Second Total |
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
Reduce to Deduce |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
Essence of Number |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
= |
|
1 |
4 |
|
58 |
13 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
2 |
|
OF |
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
3 |
|
WONDER |
79 |
34 |
|
|
|
|
|
|
|
|
|
|
|
S |
= |
|
4 |
4 |
|
58 |
13 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
5 |
|
OF |
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
6 |
|
LIGHT |
56 |
29 |
|
|
|
|
|
|
|
|
|
|
|
S |
= |
|
7 |
4 |
|
58 |
13 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
8 |
|
OF |
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
R |
= |
9 |
9 |
|
ROYAL |
71 |
26 |
|
|
|
|
|
|
|
|
|
|
|
B |
= |
2 |
10 |
6 |
|
74 |
20 |
|
|
|
|
|
|
|
|
|
|
|
B |
= |
|
11 |
|
BRIGHT |
64 |
37 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
46 |
First Total |
581 |
221 |
41 |
|
|
|
|
12 |
|
|
|
|
|
|
|
4+2 |
|
4+6 |
Add to Reduce |
5+8+1 |
2+2+1 |
4+1 |
|
|
|
|
1+2 |
|
|
|
|
|
|
|
|
|
10 |
Second Total |
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
Reduce to Deduce |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
Essence of Number |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
THE HOLY BIBLE
SAINT JOHN
Scofield References
Page 1117
C 3 V 3
JESUS ANSWERED AND SAID UNTO HIM
VERILY VERILY I SAY UNTO YOU
UNLESS A MAN BE BORN AGAIN HE CANNOT SEE THE KINGDOM OF GOD
6
THAT WHICH IS BORN OF THE FLESH IS FLESH AND THAT WHICH IS BORN OF THE SPIRIT IS SPIRIT
7
MARVEL NOT THAT I SAID UNTO THEE YE MUST BE BORN AGAIN
8
THE WIND BLOWETH WHERE IT LISTETH AND THOU HEAREST THE SOUNDS THEREOF
BUT CANST NOT TELL WHENCE IT COMETH AND WHITHER IT GOETH SO IS EVERYONE BORN OF THE SPIRIT
6 6 6 AZIN 6 6 6
IS
SIX SIX SIX AND SIX SIX SIX
IS
777
RE THE HOLY FAMILY
REMEMBER THE HOLY SEVEN
THE ROOT NUMBER OF THE 6 LETTERED JOSEPH = 1 (6+1) = 7
THE ROOT NUMBER OF THE 5 LETTERED JESUS = 2 (2+5) = 7
THE ROOT NUMBER OF THE 4 LETTERED MARY = 3 (4+3) = 7
J |
= |
1 |
- |
6 |
JOSEPH |
73 |
28 |
1 |
J |
= |
1 |
- |
5 |
JESUS |
74 |
11 |
2 |
M |
= |
4 |
- |
4 |
MARY |
57 |
21 |
3 |
- |
- |
6 |
- |
|
- |
|
|
|
- |
- |
- |
- |
1+5 |
- |
2+0+4 |
6+0 |
- |
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
- |
|
|
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
6 |
JOSEPH |
1 |
6+1 |
7 |
- |
- |
- |
- |
5 |
JESUS |
2 |
5+2 |
7 |
- |
- |
- |
- |
4 |
MARY |
3 |
4+3 |
7 |
J |
= |
1 |
6 |
JOSEPH |
73 |
37 |
1 |
J |
= |
1 |
5 |
JESUS |
74 |
29 |
2 |
M |
= |
4 |
4 |
MARY |
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
|
3 |
SUN |
54 |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
|
5 |
|
52 |
25 |
7 |
|
|
|
|
|
|
|
|
|
|
M |
= |
4 |
|
4 |
|
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
10 |
|
12 |
- |
163 |
55 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
|
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
B |
= |
2 |
2 |
|
BE |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
3 |
|
WISE |
56 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
2 |
|
28 |
10 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
|
5 |
|
ONE |
34 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
5 |
|
58 |
31 |
|
|
|
|
|
|
|
|
|
|
|
|
|
26 |
|
18 |
- |
218 |
92 |
29 |
|
|
|
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
2 |
|
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
8 |
|
SEE |
29 |
11 |
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
9 |
|
THE |
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
10 |
7 |
|
99 |
36 |
|
|
|
|
|
|
|
|
|
|
|
B |
= |
|
11 |
|
BY |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
5 |
|
51 |
33 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
3 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
6 |
|
77 |
32 |
|
|
|
|
|
|
|
|
|
|
|
A |
= |
|
15 |
|
ARE |
24 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
6 |
|
50 |
32 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
7 |
|
97 |
43 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
3 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
6 |
|
77 |
32 |
|
|
|
|
|
|
|
|
|
|
|
|
|
30 |
|
56 |
- |
649 |
280 |
82 |
|
|
|
39 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
74 |
First Total |
867 |
372 |
111 |
|
|
|
|
|
|
|
|
|
|
|
|
5+6 |
|
7+4 |
Add to Reduce |
8+6+7 |
3+7+2 |
1+1+1 |
|
|
|
5+7 |
|
1+5 |
1+8 |
3+5 |
1+6 |
1+8 |
|
|
|
|
|
Second Total |
12 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
1+1 |
Reduce to Deduce |
1+2 |
1+2 |
|
|
|
|
1+2 |
|
|
|
|
|
|
|
|
|
|
2 |
Essence of Number |
3 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
|
3 |
SUN |
54 |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
|
5 |
|
52 |
25 |
7 |
|
|
|
|
|
|
|
|
|
|
M |
= |
4 |
|
4 |
|
57 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
10 |
|
12 |
- |
163 |
55 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
|
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
B |
= |
2 |
2 |
|
BE |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
3 |
|
WISE |
56 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
2 |
|
28 |
10 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
|
5 |
|
ONE |
34 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
5 |
|
58 |
31 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
2 |
|
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
8 |
|
SEE |
29 |
11 |
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
9 |
|
THE |
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
10 |
7 |
|
99 |
36 |
|
|
|
|
|
|
|
|
|
|
|
B |
= |
|
11 |
|
BY |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
5 |
|
51 |
33 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
3 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
6 |
|
77 |
32 |
|
|
|
|
|
|
|
|
|
|
|
A |
= |
|
15 |
|
ARE |
24 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
6 |
|
50 |
32 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
7 |
|
97 |
43 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
3 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
6 |
|
77 |
32 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
74 |
First Total |
867 |
372 |
111 |
|
|
|
|
|
|
|
|
|
|
|
|
5+6 |
|
7+4 |
Add to Reduce |
8+6+7 |
3+7+2 |
1+1+1 |
|
|
|
5+7 |
|
1+5 |
1+8 |
3+5 |
1+6 |
1+8 |
|
|
|
|
|
Second Total |
12 |
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
1+1 |
Reduce to Deduce |
1+2 |
1+2 |
|
|
|
|
1+2 |
|
|
|
|
|
|
|
|
|
|
2 |
Essence of Number |
3 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
|
3 |
SUN |
54 |
18 |
9 |
|
|
|
|
|
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E |
= |
5 |
|
5 |
|
52 |
25 |
7 |
|
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M |
= |
4 |
|
4 |
|
57 |
21 |
3 |
|
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10 |
|
12 |
- |
163 |
55 |
19 |
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4 |
2 |
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28 |
10 |
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W |
= |
5 |
3 |
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WISE |
56 |
20 |
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S |
= |
1 |
8 |
|
SEE |
29 |
11 |
|
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6 |
5 |
|
58 |
31 |
|
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14 |
6 |
|
77 |
32 |
|
|
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15 |
6 |
|
50 |
32 |
|
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19 |
6 |
|
77 |
32 |
|
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T |
= |
2 |
9 |
|
THE |
33 |
15 |
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12 |
5 |
|
51 |
33 |
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A |
= |
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15 |
|
ARE |
24 |
15 |
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B |
= |
2 |
2 |
|
BE |
7 |
7 |
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O |
= |
|
5 |
|
ONE |
34 |
16 |
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13 |
3 |
|
25 |
7 |
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17 |
7 |
|
97 |
43 |
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18 |
3 |
|
25 |
7 |
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1 |
2 |
|
35 |
8 |
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7 |
2 |
|
35 |
8 |
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T |
= |
2 |
10 |
7 |
|
99 |
36 |
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B |
= |
|
11 |
|
BY |
27 |
9 |
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74 |
First Total |
867 |
372 |
111 |
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|
5+6 |
|
7+4 |
Add to Reduce |
8+6+7 |
3+7+2 |
1+1+1 |
|
|
|
5+7 |
|
1+5 |
1+8 |
3+5 |
1+6 |
1+8 |
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|
|
|
|
Second Total |
12 |
12 |
3 |
|
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|
1+1 |
|
1+1 |
Reduce to Deduce |
1+2 |
1+2 |
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1+2 |
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2 |
Essence of Number |
3 |
3 |
3 |
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THREES 3 THREES
THREES 30 THREES
THREES 75 THREES
LOOK AT THE THREES LOOK AT THE THREES LOOK AT THE THREES THE THREES THE THREES
CITY OF REVELATION
John Michell 1972
Page 77
CHAPTER SEVEN
3168, The Perimeter of the Temple
"If the numbers of the sacred principles, mentioned by St John in connection with the New Jerusalem, are obtained from the Greek text by the cabalistic method of gematria, it is found that they correspond to the dimensions of the city, set out in Fig 16. (Figure omitted) For example, the perimeter of a hexagon contained within the circle representing the earth, 7920 feet in diameter, measures 2376 feet, and 2376 is the number of (Greek text omitted), the twelve apostles of the Lamb (Revelation 21.14). 2376 x 2 feet is equal to 1746 MY, and 1745 = (Greek text omitted), the twelve apostles. The names of the apostles are said to be in the twelve foundations of the wall of the city. The wall is the circle of diameter 7920 feet and 14,400 cubits in circumference, and the foundations are the twelve corners of the double hexagon inscribed within it, fonowing the customary pattern of an astrological chart. The position of the twelve apostles in the scheme is thus clearly defined.
Of all the canonical numbers the most notable is 3168. The New Jerusalem measures 48,000 furlongs or 31,680,000 feet round the perimeter of its four sides; the mean perimeter of the Stonehenge sarsen circle is 316.8 feet; the perimeter of the square 12 hides of Glastonbury is 31,680 feet; the significance of 31,680 in the canon of cosmology is illustrated in Fig.11, and we shall also find this number set round the border of Plato's mystical city, described in Laws.
Obviously the number 3168 had an important symbolic meaning, the Christian interpretation of which is provided in New Testament
gematria. The most sacred name of Christianity is (Greek text omitted);
(Greek text omitted), Lord Jesus Christ, and the number of these three words together is 3168. (Greek text omitted) is an astrological term meaning the ruler or dominant influence.
Another sacred phrase from the New Testament, (Greek text omitted) the Power of Christ (2 Corinthians 12.9) has the value 3168 if the alternative spelling of Christos, (Greek text omitted) is adopted.
Page 78
The perimeter of the temple is 3168, Lord Jesus Christ, when the temple is measured by the foot, the most sacred unit of ancient metrology. In terms of the megalithic yard (2.72 feet), however, the perimeter measures 1164, because 3168 feet = 1164 MY. Yet this makes no difference to the symbolic interpretation by gematria, for 1164 is the number of another name of Christ, (Greek text omitted) Son of God.
As a geodetic or earth-measuring number, 3168 also demonstrates the antiquity and sacred origin of British metrology, for
31,680 inches = half a mile
31,680 ft. = 6 miles.
31,680 furlongs = 3960 miles = radius of the earth.
31,680 miles = perimeter of square containing the terrestrial sphere.
31,680 miles = circumference of circle drawn on the combined diameters of the earth and moon (10,080 miles)
Other cosmological correspondences of 3168 are given on page 109.
The Stonehenge sarsen circle with circumference of 316.8 feet
contains an area of 888 square yards, 888 being the number of Jesus, which is equal to 1080 square MY. The circle contained within a square of perimeter 316.8 feet, corresponding to the bluestone circle at Stonehenge, has an area of 666 square MY. Thus the two stone circles at Stonehenge have areas of 1080 and 666 square MY, these two numbers representing the opposite poles of lunar and solar or negative and positive energy.
The number 144 or 122 is characteristic of the New Jerusalem scheme, and 3168 demonstrates the value of (pi symbol 22/7 omitted) in terms of this number, for 144 x 7 = 1008 and 144 x 22 = 3168.
3168 in Plato's city
A remarkable use of the number 3168 occurs in Plato's account in Book V of.Laws of the mystical dimensions of the perfect city. Throughout his work Plato makes guarded reference to a secret canon of numbers that applies universally to every aspect of human life and activity, including government, astronomy, acoustics, kinetics, plane and solid geometry and divination. Linear measurements, areas and volumes are obviously incommensurable, but Plato declares that there are certain numbers that link these with each other and with all phenomena capable of being measured. As an example of these numbers, the study of which Plato recommends as the most sanctifying of all pursuits, he gives 5040. This is the ideal number of citizens in the state and serves other purposes in con/ Page 79 / nection with the framing of laws and standards. The reason why it is most suitable for all matters of division is that for its size it has the greatest number of divisors, 60 in all, including the entire decad, the numbers 1 - 10. Another property of the number 5040 is that it is the radius of a circle with circumference 31,680. Further examination of the numerical foundations of Plato's state shows that the scheme to which he refers is the ancient plan of the cosmic temple.
The lawgivers in Plato's state are reminded that the perfect human society would be one in which all possessions, wives, children, land and chattels were held in common, where all the citizens were of one mind and acted together so harmoniously that it were as if eyes, ears and hands were also common property. To keep this ideal alive is the function of the prophet. Human nature and conditioning, however, demand a more practical alternative, 'very near to the first in immortality and second to it in merit'. This is provided in Laws V.
Plato's state is arranged in a manner that can scarcely be understood literally, and is obviously intended, like the New Jerusalem, as a geometer's allegory. The land is all divided into twelve parts, each dedicated to one of the twelve gods and populated by one of the twelve tribes of the 5040 households. The city is similarly divided, forming a microcosm of the state as a whole. In the centre of the city is the acropolis and 'from this centre he must divide up the city itself and the whole country into twelve parts. The twelve parts must be equalised by making those of good land small and those of inferior land greater. He must mark off 5040 allotments, and each of these he must cut in two and join two pieces to form the allotments, so that each contains a near piece and a distant piece - joining the piece next to the city with the piece furthest off, the second nearest with the second furthest, and so on with the rest.'
The only way in which this division can be represented is by a circle of radius 5040, a hundred times larger than that of Stonehenge measured in feet; the perimeter of this circle is 31 ,680. In Fig. 24 (Figure 24 omitted) the radius of the circle should be divided equally into 5040 parts to produce 5040 concentric circles. These are bisected into 10,080 semicircles by the diameter and positioned out in Plato's manner into 5040 double allotments, each of equal area.
In this scheme 31,680 is not only the circumferenceof the circular state, but also the area of each of its 2520 pairs of rings, proving Plato's assertion that linear and area pleasurements can be made / Page 80 / (Figure 24 omitted) commensurable by number. The entire circle is divided into two halves, each containing 39,916,800 square units of land. These numbers, which are inherent in the New Jerusalem scheme, have the following significance:
31,680 is divisible by all the numbers1-12 with the exception of 7
50401 x 2 x 3 x 4 x 5x 6 x 7
39,916,800 = 1 x 2 x 3 x 4 x 5x 6 x 7 x 8 x 9 x.10 x 11
5040, the radius of the circular city, is the product of the numbers1 - 7; 7920, the side of the square city, is the product of numbers 8 - 11. In each case the perimeter of the city is 31,680. In Plato's Republic is the famous, cryptic reference to the 'marriage number', which should be consulted by the guardians of the state in all matters relating to the seasonal union of male and female. There appear to be two numbers involved, adding up to a third, but the riddle is so obscure that no firm solution has been reached despite the vast literature on the subject. For various reasons the number 12,960,000 or 36002 is most commonly proposed, and this would seem appropriate, for 12,960 = 5040 + 7920. 12,960 therefore represents the union of square and circle, symbol of the sacred marriage, and the gematria is also appropriate, for 1296 = (Greek text omitted) Mary mother of Jesus.
FIGURE 24 (Figure omitted) Plato's city divided into 5040 rings, Perimeter = 31,680, Areas: A + a = B + b = C + c = 31,680.
- |
|
- |
- |
- |
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F |
6 |
6 |
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I |
9 |
9 |
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1 |
F |
6 |
6 |
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TY |
45 |
9 |
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F |
6 |
6 |
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OUR |
54 |
18 |
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9 |
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126 |
54 |
45 |
- |
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1+2+6 |
5+4 |
4+5 |
9 |
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9 |
9 |
9 |
- |
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- |
- |
- |
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F |
6 |
6 |
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I |
9 |
9 |
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1 |
F |
6 |
6 |
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TY |
45 |
9 |
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F |
6 |
6 |
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OU |
36 |
9 |
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R |
18 |
9 |
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9 |
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126 |
54 |
45 |
- |
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1+2+6 |
5+4 |
4+5 |
9 |
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9 |
9 |
9 |
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= |
3 |
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5 |
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56 |
29 |
2 |
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W |
= |
5 |
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5 |
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70 |
25 |
7 |
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14 |
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10 |
- |
126 |
54 |
9 |
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L |
= |
3 |
1 |
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L |
12 |
3 |
3 |
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I |
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2 |
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I |
9 |
9 |
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3 |
1 |
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7 |
7 |
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H |
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8 |
4 |
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H |
8 |
8 |
8 |
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5 |
1 |
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20 |
2 |
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W |
= |
5 |
6 |
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W |
23 |
5 |
5 |
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7 |
1 |
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1 |
1 |
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V |
= |
4 |
8 |
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V |
22 |
4 |
4 |
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9 |
1 |
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5 |
5 |
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= |
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10 |
1 |
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19 |
10 |
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45 |
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10 |
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126 |
54 |
45 |
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6+5 |
|
1+0 |
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1+2+6 |
5+4 |
5+4 |
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1+0 |
6+0 |
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9 |
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9 |
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9 |
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1 |
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9 |
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L |
= |
3 |
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5 |
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56 |
29 |
2 |
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W |
= |
5 |
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5 |
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70 |
25 |
7 |
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14 |
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10 |
- |
126 |
54 |
9 |
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7 |
1 |
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1 |
1 |
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= |
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10 |
1 |
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19 |
10 |
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5 |
1 |
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20 |
2 |
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L |
= |
3 |
1 |
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L |
12 |
3 |
3 |
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V |
= |
4 |
8 |
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V |
22 |
4 |
4 |
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W |
= |
5 |
6 |
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W |
23 |
5 |
5 |
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9 |
1 |
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5 |
5 |
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3 |
1 |
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7 |
7 |
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H |
= |
8 |
4 |
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H |
8 |
8 |
8 |
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I |
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2 |
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I |
9 |
9 |
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45 |
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10 |
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126 |
54 |
45 |
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6+5 |
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1+0 |
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1+2+6 |
5+4 |
5+4 |
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1+0 |
6+0 |
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9 |
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9 |
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9 |
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1 |
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9 |
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L |
= |
3 |
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5 |
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56 |
29 |
2 |
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W |
= |
5 |
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5 |
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70 |
25 |
7 |
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14 |
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10 |
- |
126 |
54 |
9 |
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7 |
1 |
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1 |
1 |
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= |
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10 |
1 |
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19 |
10 |
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5 |
1 |
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20 |
2 |
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L |
= |
3 |
1 |
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L |
12 |
3 |
3 |
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V |
= |
4 |
8 |
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V |
22 |
4 |
4 |
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W |
= |
5 |
6 |
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W |
23 |
5 |
5 |
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9 |
1 |
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5 |
5 |
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3 |
1 |
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7 |
7 |
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H |
= |
8 |
4 |
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H |
8 |
8 |
8 |
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I |
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2 |
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I |
9 |
9 |
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45 |
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10 |
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126 |
54 |
45 |
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6+5 |
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1+0 |
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1+2+6 |
5+4 |
5+4 |
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1+0 |
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9 |
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9 |
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9 |
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1 |
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9 |
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.ONE TWO THREE FOUR 5 SIX SEVEN EIGHT NINE
123 4 5 6789
THE
BALANCING
THE GREAT WORK
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|
|
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
G |
= |
7 |
|
5 |
|
51 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
|
4 |
|
67 |
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
14 |
|
12 |
- |
151 |
61 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
2 |
|
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
3 |
|
E |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
5 |
|
R |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
8 |
|
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
9 |
|
W |
23 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
10 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
R |
|
|
11 |
|
R |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
11 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
61 |
|
12 |
|
151 |
61 |
61 |
|
|
|
|
|
|
|
|
|
|
|
|
6+1 |
|
1+2 |
|
1+5+1 |
6+1 |
6+1 |
|
|
|
3+6 |
4+8 |
1+5 |
|
|
|
1+8 |
|
|
7 |
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
1+2 |
|
|
|
|
|
|
|
7 |
|
2 |
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
AND
GOD
FORMED
HUMMANKIND OF THE DUST OF THE UNIVERSE
AND
BREATHED INTO THEIR NOSTRILS
THE BREATH OF LIFE
AND
HUMANS BECAME LIVING SOULS
973AZAZAZAZAZAZAZAZAZZAZAZAZAZAZAZAZAZA973
ISISISISISISISISISISISIS919919919919ISISISISISISISISISISISIS
999181818181818181818AZAZAZAZAZAZAZAZAZAZAZ818181818181818181999
122333444455555666666777777788888888999999999888888887777777666666555554444333221
999999999AUMMANIPADMEHUMAUMMANIPADMEHUMAUMMANIPADMEHUM999999999
PERFECT DIVINE LOVE PUREST LIVING LIGHT THAT LIGHT LIVING PUREST LOVE DIVINE PERFECT